Dune starchild on vinyl record

Jackie Charles the love-child, band and alter ego of Kaja Bremnes are releasing their debut album Future Fantasies on April 19th A washed out, hallucinogenic quality permeates the album, with brutally honest lyrics concealed beneath sugary sweet melodies. This is a Summer soundtrack for those with more nihilistic tendencies. Who cares if society is failing and the sea levels are rising? Bremnes' voice is the pivotal point here however, acrobatically swinging between Kate Bush-esque falsetto and quiet, sultry drawl.

Lovely stuff. New material on big Ron's Future Vision label - the outlet he saves for his immediate focus and new directions Add a warm analogue bass and a few choice keyboard presets and you've got a beautiful early doors house song, meticulously constructed and musically minded with proper verse, chorus, bridge sections to revel in. This isn't a totally new sound to Ron Trent, but it comes as a bright and cheery surprise when it fruits at the end of this record.

Three very different flavours to get stuck into here folks - enjoy!

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Balearic Ron! Jeremy Hyman steps up to FT with the first of two 12" EPs that are a coordinated blast of colorful, galaxy-edge plastic techno from the master percussionist who moonlights in Lifted, Boredoms, Animal Collective, and more. Always rhythmatic in exciting ways, Hyman's drum programming here is more arms than buttons, injecting a fly human element in the 12".

Such has been the interest in this masterpiece of electronica over the years that the guys have been back into the studio to revisit it. All together there are eleven tracks reconstructions and interpretations, woven together as FSOL do into a 42 minute dreamscape journey. A wonderful update to this iconic release.

The pair holed up in a derelict office block in Walthamstow resolving to write a simpler sort of song that would connect them to the songbook of their days busking on the London Underground. Without losing the infectious pop of their debut, the songs off "Future Perfect, Present Tense" seem to come from a deeper place with the two songwriters pushing themselves to be more vulnerable and honest. Recorded in Oslo as a band with Rob Shipley, Johnny Drain and Alex Hammond - the friends with whom they had toured the first album - this album showcases the new sound.

Intricate CSNY-influenced four-part harmonies that were honed on the road fuse with the energy they captured in their live shows. NME - 61 in albums of the year "The French duo's debut album is a surreal synth-pop voyage that'll give your head a little wobble in all the right ways. Check out 'Sorry About The Carpet' and you'll see what we're getting at". Debut album from French electronic duo Agar Agar. Following their first EP "Cardan" with 20 streams , the 25 years old art student duo release their first LP "The Dog And The Future", a synthetic travel infused with 80s electro-sound, synth-wave touch and a bunch of talent.

Vocalist, songwriter and performer, Sadeek's already collaborated with Ron across two previously well received twelves, and here we get the added bonus of Joe Claussell who's been drafted in on remix duties. Sadeek's sleek vocal part decorates mix the beautifully, allowing you to get truly lost in this flamboyant mainroom house track.

NO SUN. Black Friday Napalm Records. The track was the first song in over 18 years to feature founding members Billy Corgan, James Iha, and Jimmy Chamberlin, alongside longtime guitarist Jeff Schroeder and offered the first glimpse of music from the newly reformed lineup. Yeah, i've been less keen on things that I probably should have given more time to Zwan, Machina etc , and been quite the fan of things I probably should have ignored no names , but this really is classic Smumpkins, the band are back together and they are sounding SUPERB.

Long live the Pumpkins. The Future Sound of London's long and varied history stretches back almost 25 years and as such a vast amount of unreleased material exists in the FSOL archives. This album is not just a collection of random off-cuts. It is a fully realized album, worthy of sitting alongside the rest of the band's critically acclaimed work. Did you know - The Future Sound of London were the first band to distribute their music via the internet, in Did you know - The Future Sound of London were the first band to use ISDN technology to transmit their music via the internet and also to radio stations across the world - a system that has now been adopted by the radio industry worldwide.

No I did not; but as I often say, every day's a school day here at Piccadilly Records Swedish synth botherer and established purveyor of the 'smooth-groove' revival returns with another brilliantly realised and effortlessly enticing EP for the ever-essential Fasaan. The evident fascination with the early 80's audio palette is present and correct, but this is homage done with a knowing 20th century something, which means this extended player distills things into a perfectly chilled glass of cocktail and beach bar delights as pastel slacked Donald Fagen hangs with Jan Hammer, who both buy a round for Loose Ends, while house-band Level 42 tune up across the bay.

A little late for Summer maybe, but no doubt these will still be at the front of the Balearic record bag next year too! Thankfully Fasaan have taken pity and provided a fresh pressing for Cocktail coolers and coastal groovers of the finest AOR disco vintage. Includes MP3 Download Code.

The Beths from New Zealand occupy a warm, energetic sonic space between joyful hooks, sun-soaked harmonies, and acerbic lyrics. Front and center on these ten infectious tracks is lead singer and primary songwriter Elizabeth Stokes. Natalie Prass had her new album written, her band ready, the recording studio booked. Then the election happened, and out of her despair and disappointment in those results came an impulse she could not ignore: she rewrote the album to reflect these swirling emotions. White at his Spacebomb Studios. Dre-esque whistling synth line.

Lyrically she wields a sharp knife as well.

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Prass' perfectly emotive vox offset the choppy funk with aplomb, accentuating the groove and leading us through her latest opus. Their now 10 years old friendship is the story of legends, their sparse vinyl output the secret love of deep house 12'' enthusiasts round the globe - the warm, vibrant sounds found on those records a stark contrast to the stripped-down effectiveness of their marathon DJ sets, frequently heard within the more nefarious examples of GBG nightlife. The distinctive sound of that early material described by one Discogs commenter as 'enlightened, naive future dub for children' has been expanded upon and further defined on their debut album "Steal Chickens from Men and the Future from God".

Its 12 cuts lovingly selected from a plethora of works floating in and out of makeshift studios from Storgatan to Gamlestan over the last 7 years. Originally reached no.

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Includes gatefold jacket and 8 page book with unseen photos and liner notes by Sarah Sweeney. The San Fernando earthquake had spurred industry pals Bill Szymczyk and Larry Ray to join forces to form their own label—and get the hell out of California. The duo reached out to Kunkel who helped set up shop for their burgeoning Denver enterprise, Tumbleweed Records. But Kunkel was itching to make a record of his own.

Perhaps to repay him, Tumbleweed agreed. A longtime piano man and blues aficionado, Kunkel had the soul of a poet and the restless spirit of the jazz musicians he also worshipped. When the night or day ground to a half we'd high-tail it back in his mum's Vauxhall Cavalier and stay awake until it was safe to go home to our parents.

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At that point Spandex would get out whatever gear he'd amassed and start recreating the sounds and feels of the previous night He's basically been doing that for the last 15 years - constantly honing his craft, adding new equipment and, in time, finding his own, completely unique sound. I can honestly say that in there is no one out there that sounds like Ste Spandex.

And so it's with great pleasure we announce the arrival of "Home Extraction EP" - the first vinyl release on Cerberus Future Technologies which previously housed Spandex and friend's wild experiments on c60 cassette tape and dedicated to the art of DIY DMT manufacture. We start off with "Naptha", which my limited chemistry knowledge suggests is the 'base' for extraction.

Anyway, it's an incendiary and quite sexualized number, that patented Spandex throb ever present as a coital groove thrusts itself into our nether regions. As the key ingredient in the extraction and the bit that 'holds the magic', the track lives up to its expectations as one 5d-traversing space shuttle vortex cruiser.

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If you've ever plucked up the courage for the modern day magic carpet trip into the Other, then these vibrations should resonate inwards dear explorer, take heed! Ste Spandex has just gone and raised the bar of space techno well into the stratosphere - yeah booooiiii! Heavy n hypnotic, one of Spandex's many styles displayed here in superb form as he pairs volatility with harmony in ways you'd never expect. For those familiar with one of our city's finest producers, you'll know this EP's been a long time coming.

To anyone that's seen his historical live sets at Wet Play - this your moment to grab that energy onto timeless black plastic Never-come-down greatness that only a few can authentically create. We heart this! Cat Number Release date 26 Jan ' Remastered re-issue of the double album by experimental electronica group The Future Sound of London.

Although slightly lost in the hyped-up murk of the mid 90s, with time, it has become their best-known album and is considered to be an important and influential classic of avant-garde electronic music.


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It sounds timeless, and could well have been released this week. Using unique and enthralling keyboard sounds, pad presets or ambient washes FSOL create an exotic and otherworldly collage; existing somewhere between the stars and a deserted tropical island. Sprawling, languid, and unhurried, I'm sure this made a brilliant companion to the permo-comedown from all those high end gary's available at the time. The marriage of soul, hip-hop, dub and timeless club sounds that N. This includes the shamanistic vocals of recent single Back To Nature, and in particular the the arresting voices of Mozez alongside Kanye West and Flume collaborator Allan Kingdom, as featured on brand new cut Citizen Kane.

Nightmares on Wax is one of the most influential artists of a generation, his music has inspired many musicians and producers across the globe over his quarter decade career. Hailing from the fertile community they have built up around them in Bucharest, Delusion Men and their label Future Nuggets represent a very different twist on the contemporary Romanian electronic music scene.

This album is a prime case in point, dealing in off-kilter wavey synths, intriguing rhythmic approaches and spooked out atmospheres that speak as much to the folkloric mystery of the East as any electronic traditions from other parts of the world. If you're drawn to music that sends you to exotic new places on the fringes of your imagination, then Stuck On The Border is the album for you.

Brilliantly rich, and deeply filmic electronic transmissions. MCR's enigmatic hardware molester returns on his own label, Cerberus Future Technologies for a brand new album of mutant discoid experiments, frazzled cosmic techno and tryptamine riding casette jams. Conjured up over the last five years through sonic rituals and spellbound sessions at both The Brown House and The Boneyard, it includes guest vocals by Crispy Duck and Sarah Bates.

It catches Spandex at the peak of his game, effortlessly drifting through dimensions and styles, piloted by a vast array of analogue synthesizers and classic drum box rhythms.

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Freeform in nature, but packing serious punch, it instantly transports us to smoke filled clubs with darting red lights and a nicely saturated rig. Genres, styles and tempos get blended and merged as Spandex takes us through the stars, his stylish production, succinct aesthetic and unrelenting throb the only constant as we plunge further and further to event horizon. One of the most unique and captivating producers out there at the moment folks, it's an honour to have him in our fair city and seeing him hit this long-running purple patch. With vinyl releases imminent grab this fully realized artist expression, released via cassette and full quality download; sure to be a celebrated addition to the archives of leftfield dance music from the North of England.

Does Ron Trent ever sleep? The acclaimed Chi-town luminary seems to be putting out as much new music now as he did 20 years ago, with his recently revived Future Vision alongside new imprint Music and Power, not to mention his Electric Blue series On this latest offering he teams up with Manoo for a deep, dubby, atmospheric house track with a beautifully detailed, highly textured palette. Everything from the crisp perc, electric soundbed and squelchy B-line sounds sublime, with the veteran producer's lifetime experience really paying off.

Deep house never sounded so good! Comes with a further dub and reprise versions in that typical US style. Cobby set to work completing the unfinished tunes and refining those almost complete, resulting in a seven track set of easy moving grooves, loose white funk and dubbed out downbeat. Project names have been cast aside in favour of surnames for all of Cobbys collaborations post , but in essence this is all Cutler, no filler!

The chiming guitars, BBQ breakbeats and slick bass of the sampledelic "We'd Like To Capture Your Mind" open the set in fine summertime style, building up a head of steam until that brass blows like a steam kettle.